Last Friday, I won the Alfred Fagon Award for Best new play, Once Upon A Time In Sokoto.
I’ve been working on this play for about five years now, and it’s been one of the most challenging experiences of my writing life, for a number of reasons. Finally placing it before an audience was a humbling moment… hearing the laughter and tears from only a staged reading of a handful of scenes was deeply emotional and affirming. I sincerely hope this play gets to meet an audience one day.
Above all winning The Alfred Fagon Award was a blessing really beyond my wildest dreams. I have never won an award for playwriting – this is the first – and this play specifically dramatises the power of language and literature. I’m so grateful, so SO grateful, to the readers and judging panel for seeing all I was trying to do. I wanna applaud other winners: Ilayda McIntosh, Leanna Benjamin - it was a pleasure to share the evening with you - and all the nominees, longlisted and shortlisted. May your plays find their audiences.
My deepest gratitude goes to my long time partner-in-crime, Kate McGrath and the team at Fuel, my agent, Tanya Tillett, the experts who have guided and facilitated this play, Fatima Kelleher and Zaahida Nabagereka. To Sasha Salmon who held me up when I was most broken by the story, to Daniel Bailey for being my boy; for always being a supportive voice, and to Rufus Norris, Nina Steiger, Indhu Rubasingham and the National Theatre for initially commissioning this play.
Shout out to the actors on the day, Sule, Layo, Toheeb, Antonia, and Natasha for stage directions and Brigitte Adela for directing the reading.
It’s been described as an epic, it is, but fundamentally it a story about an unlikely friendship between a slave and her former owner; two incredible women caught between the fall of the Sokoto Empire and the rise of the British Empire.
I hope it finds a home and y’all get to see it in all its glory.
Photos by Sharon Wallace / AFA.
🙏🏿🙏🏿