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London Calling

It is 4.29 am. I am on a 36 bus en route to Heathrow where I will get the Heathrow Express to terminal 1 to meet my lady. I am front-seat-sat, top deck of the bus. The bus is half full. To my left two men lull between this world and glimpses of the next. Behind, a bespectacled lady snoozes onto a man's shoulders. By his facial expression he is not comfortable with this, but is too polite to say anything. There are mostly 'foreigners' here, together, microcosmic of the world in skin tone, culture, race and language I imagine. But what strikes me is the silence. When the bus pauses at lights, like it just did, if one dared, you'd hear a mouse fart.

Perhaps they are thinking of God, or something else as elemental and basic. The next meal, for instance. It is ironic that this city of a thousand tongues falls still at times like this when loneliness is heightened and real.

It is 4.41. We are by the Hilton Hotel at Hyde park. The lit buildings flash by like bright monologues or one sided conversations. The dark hears and does not speak.

I have always lived on the 36 bus route, my oldest friend lives on the Westbourne Grove end. 14 years and I have taken the same journey.

4.59. Paddington, on the Heathrow express train. There is easy listening wordless flute music wafting from the speakers. It invokes a sense of flight, it is calming and welcoming. There is a gentleman in a green sweat shirt, who looks American, smiling at the flowers in my hand. An air hostess just floated by and there is rising anticipation of the next stop. Recently I listened to a podcast that posed the question: given the choice of flight versus invisibility, what would you choose? Those who chose invisibility liked the idea of sneaking onto airplanes unnoticed and flying for free. I optioned for flight, to have wings as He-Man, flap and leave the world behind. But right now, I lean towards invisibility; wondering if the lady on the blackberry is checking flight deails or hotel bookings. Is she flying or meeting someone who has jus flown in?

5:10 The train has just left the station.

5.37. Heathrow Terminal 1, arrivals lounge. There is a Costa and a WHsmith. Two ladies scrutinse the arrival display. The one in grey repeatedly strokes her chin, points to the display and strokes her chin as if trying to tease out a beard and her folicles feed on flight information. There is a lady on my right playing solitaire on her iPhone and I feel that time is passing very slowly.

5.56 Her flight has landed.

6.24. I have killed hundreds of aliens playing Halo on my laptop. Wonder how she will react if I tell her I have mass-murdered in anticipation of her arrival.

6.30. There are many of us, eyes fixed at the arrivals entry swing doors. Whenever they open, we hold our breaths. A half second passes and we fade to dissapointment. It is a symphony of silent sighs, lungs - our only instrument and we play subconsciously.

6.34 She is in my arms. All's well.

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Clazz Zero. // 9/11

It the continuing search for truth, in theories and counter theories, let us not forget that innocent people died and regardless of religious or political beliefs, that fact is unquestionable. My heart goes out to the families of those who lost their lives. This poem is about my experience.

Class Zero

Double class after lunch is maths lesson / I walk in impeccably dressed in / uniform, till James Cannon, my best friend, whose wit / is swift / as comets, announces to the class… “Inua has a minus area” - that’s the mathematical term for a ‘black hole’ / I jump over the table / grab James in a headlock, grind my knuckles / into the crown of his skull till his knees buckle / He screams, calling others into our mock scuffle / and the class becomes this mass fray, where small fists like soft rubble / rain on the buildings of our bodies, limbs / like metal beams / twist under the dust clouds of voices, billow upwards and outwards, continuously /

till the maths teacher, suddenly there, pissed / calls for order. Dust settles. In the debris / of rough shirts, upturned chairs, she demands to know the culprit of the fray / But in the calamity just passed, we grown together, become a family of dust boys, so no one calls my name /

She shrugs, then tells us how ten minutes ago, two planes were flown into the world trade centre / calls it ‘America’s worst night mare’/ sinks into a silence we take for despair/ but return her news with blank stares/ We are sixteen. All we care of / beyond these four walls / are Pamela Anderson, Snoop Dogg / and the tingle of taste buds /before a pint of Guinness/ with no frame of reference/ so this is new.

I leave school / puzzled, into the living room/ find my father huddled / around the television, mother paces back and forth, the atmosphere is horror laced with disbelief, I sit / cross legged towards the t.v. screen / lean into the footage played over again / where two planes / crash into buildings / instant rubble rains off, the metal beams twist under the dust clouds and fire, billow upwards and outwards, continuously /

till they suddenly fall. Dust settles. In the debris / of torn lives and upturned worlds / the news reader calls / for the culprit of the fray / but pauses to say / how from Ground Zero / New York spawned a new race of people / survivors of the day / concrete powdered to one tone of grey /

Years pass / I date a girl called Sara, ask / what she did as the towers fell, she tells me / it was her birthday, she blew out her candles as the fires swelled / the most muddled day she’d been through / I agree, ‘me too.’ /

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News From Inua Ellams 01/09/2010

Hey Hey Hey! Hope you had a great August, 4 months left of the year now and as scheduled, 1st Wednesday of each month, this is your monthly Inua Ellams Newsletter. Tough but exciting September ahead and I’ll keep you updated all the way. On Facebook, On Twitter & On my website. 4 News Items / Smthn frm UTube: UNTITLED // INUA at APPLE STORE // BRITISH MUSEUM // WILL YOU MANAGE // Smth frm UTube: SOUL BOY.

UNTITLED // New Play. Yesterday was Day 1 of rehearsals and in 22 days I should have memorised the script and the play should be completely off the page and turned 3D with lights, sound, props, effects and all that jazz. I spent a cold eve shooting the trailer a few weeks back and the great guys at http://www.stitchthat.tv/ are working on it as we speak. I’ll be sending you a link to the trailer so watch this space. A couple of you have emailed back saying you have bought tickets already and I am very chuffed to hear that so thank you! In case you hit delete when I last mailed out, here is all the info on the play: Dates, Venues, Contact details etc. The 'Untitled Special' http://bit.ly/cw5uX8 Facebook Page: http://bit.ly/ahFoCU

INUA at APPLE STORE // 7pm. 8th Sept. Free. As part of my Covent Garden Creative-In-Residence position, I was at the new Apple Store when it opened in Covent Garden. I queued with the 1st buyers, got one of the 4000 free t-shirts given out that day and wrote about the going ons (crazy I tell you). As an avid Apple fan, I’ve been invited to the store to talk about the people I’ve met so far during the residency and read some of the work created. I’ll also debut the trailer for ‘UNTITLED’ there and read a couple of poems from my forth coming collection ‘Candy Coated Unicorns and Converse All Stars’. And I’ll be trying desperately to blag an iPad. (Carpe diem and all that!) // The event is FREE, takes place in the centre of the beautifully designed store and best of all, as it starts at 7pm, if you live in London, you can go for a drink after work BEFORE coming down. I’m nice like that. Hope you can make it. Facebook event Page. http://bit.ly/b0Sz5D // Apple website: http://bit.ly/ct75vz

BRITISH MUSEUM // 6.30pm. 17 Sept. £5.00 One of my fave sections from ‘UNTITLED’ occurs in the first half where the twin who is left in the village becomes a trainee drummer. Everything goes horribly wrong and eventually he is thrown out, but the fight scene is just brilliant. (my director is a bit of a genius) // What’s this got to do with the British Museum? Well, a new item has just been added to their collection, the legendary Akan drum http://bit.ly/aFh528 and they have put together an event to celebrate this. There, I’ll be performing this excerpt of the play. More info: http://bit.ly/dkvjtu

WILL YOU MANAGE // Musa Okwonga. For those who taunted me during the world cup (Dzifa!), Musa Okwonga, my dear friend and Poejazzi co-conspirator could have taunted the best. He is over qualified to. He is a world renowned football writer who blogged specifically about Nigeria for bodies like: The New York Times and The Independent. His first book ‘A Cultured Left Foot’ dissected what qualities make a great footballer and his recent, which hit the ground running, ‘Will You Mange’ dissects what makes a great football manger. It is a sweeping stiflingly unputdownable good read, (voted Sports Book of the Week across broadsheets) and if you have ever even tried to bend like Beckham, you should enjoy. One word: Amazon.

Smthn from Utube: // Soul boy. The first time I read Ben Okri’s Famished Road I was speechless. I will not mince words, it definitely set the early seeds for ‘UNTITLED’. The Famished Road is about Azaro a spirit child who never severed ties with the spirit world. The story follows him as he tries to live his life, always aware of the spirits trying to bring him back. In ‘UNTITLED’ the twin who is left in the village goes up against the spirits of the land. Now, a film coming straight out of Africa is about a boy who goes hunting for his father’s soul. Awaiting the DVD (doubt it’ll make the big screen here) I will say no more. Peep the website: http://www.soulboy-film.org/ But sit back and watch the trailer:

That's all folks!

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Untitled... New Play.

THE TRAILER:

THE INGREDIENTS:

1) I have a twin sister. When we were 3, I cried like a lost child the first day we were separated at nursery. She didn’t even look back. I manned up sharpish and as we grew older and met other twins, other identical twins, I wondered what might have been had she been a guy or I a gurl.

2) Back in the day twins were seen as evil portents in parts of Nigeria. When they were born they were destroyed instantly, sometimes with their mother. Considering twin births in West Africa out does the rest of the world 4 - 1 that is quite a large number of lost children. Things have changed, twins are celebrated now, there’s even a twin worshiping cult that sees us as ‘spiritually powerful’, ‘tricksters’, ‘gifts from God’, ‘two halves of the same soul’.

3) I believe Nigeria’s identity to be twinned; split between its indigenous population and its far reaching diasporic communities. Nigeria turns 50 on the 1st of October this year, in which I will be 25 years old, my twin and I will make up its age.

4) It is believed in parts of West Africa that children grow to embody their names, that a child named ‘Joy’ will grow to spread happiness. This idea touched even Shakespeare. Cordelia (name means heart) was honest, loveable and kindest of her sisters in King Lear. Prospero prospered on the land he discovered, and Othello in a jealous rage murdered Desdemona. ‘Desdemona’ derived from greek, means ‘ill fated’.

5) John Keats also believed in this power of words saying ‘Poets are midwives of reality’. Those who work with words call things into being.

6) In Hip Hop, the culture of taking on powerful pseudonyms is common. The public is forced to address them on their own grounds, complimenting and elevating them at once, imagine greeting one of these guys: Good morning Mr Most Definitely / g’morning Mr Fabulous / Mr Immortal Technique / Mr Fantastic / Mr Black Thought.

7) Back track to birth, if Nigeria’s reigns were given to its youth, entirely without an imposed destination, direction or expectation. If on their birthday, they were then asked to decide on their own path, to sculpt their own future. If a child was asked to ‘name’ itself, what would happen?

THE PLAY:

And this is what happened: UNTITLED is a magical realist story set in Nigeria and England, of identical twin boys separated at birth. When they are born, the father follows a tradition of waiting for the first full moon to name his children. He takes them to a clearing in the forest and whispers their names (that they might be the first to know their destinies and claim it). The first boy giggles and accepts his name, but his twin cries instantly, incessantly loud and louder rejecting his destiny. After 6 more attempts, 7 months, 7 full moons, the father gives up. There is an argument where the father strikes the mother, who grabs the named child and leaves for a cousin in England. The untitled child grows up living a disconnected, wild, free, and blasphemous existence battling against the elders, the social structure, the land, everything until the spirits of the land make their stand.

Phew.

In exactly 13 days, I will begin 3 weeks of 9 - 5 rehearsals followed by 3 weeks of touring. 6 solid weeks of lifting the script of the page and to the stage. Without a doubt it’ll be the most trying thing I will have done this year. In stark contrast to The 14th Tale where I had just a chair and torch, the set is a clearing in a forest! 2 costume changes and 14 props!

THE VENUES: Please come and check it out. I will be touring: Bristol, London, Birmingham, Bath, Stockton, Aldeburgh, Coventry and Manchester. All details listed below, see you soon.

Bristol Old Vic // 23 - 25 Sept, 8pm, £12 (£8) Tickets: 0117 987 7877 // www.bristololdvic.org.uk

Soho Theatre, London // 28 Sept - 9 Oct, 7.30pm, £10 - £20 Tickets: 020 7478 0100 // www.sohotheatre.com

Birmingham Repertory Theatre // 20-23 Oct, 7.45pm // Matinee 23 Oct, 2.45pm, £10 (£7.50 - £4.50) Tickets: 0121 236 4455 // www.birmingham-rep.co.uk

Ustinov at Theatre Royal Bath // 29 & 30 Oct, 8pm, £11 (£8) Tickets: 01225 448844 // www.theatreroyal.org.uk/ustinov

ARC, Stockton on Tees // 3 Nov, 7.45pm, £10 (£8 & £5) Tickets: 01642 525199 // www.arconline.co.uk

The 22nd Aldeburgh Poetry Festival // 6 Nov, 5.45pm, £8 7 Nov, 9am Discussion: Other Writing, Free; 12 noon, Close Reading, Free Tickets: 01728 687 110 // www.aldeburgh.co.uk

Warwick Arts Centre, Coventry // 9 & 10 Nov, 7.45pm, £10.50 (£8.50) Tickets: 024 7652 4524 // www.warwickartscentre.co.uk

Contact, Manchester // 12 & 13 Nov, 7.30pm, £8 (£5) // BSL interpreted performance 13 Nov Tickets: 0161 274 0600 // www.contact-theatre.org

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Sekou Sundiata

Sekou Sundiata was born Robert Franklin Feaster in Harlem but changed his name in the late 1960s to honor his African heritage. He graduated with a bachelor's degree in English from the City College of New York in 1972 before successfully undertaking a master's degree in creative writing from the City University of New York. Nii Parkes, gave me his album - Longstoryshort. I Love it. Another was nominated for a grammy - A POET's Album nominated for a grammy, yup you read right.  Sekou died of heart failure on the 18th of July 2007, this day three years ago... Please Google him, read what you can. Be dazzled. To begin your search I have complied what I have found from the web, enjoy.

and just cause he could, he rhymed...

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The Great Figure

The Great Figureby William Carlos Williams

Among the rain and lights I saw the figure 5 in gold on a red firetruck moving tense unheeded to gong clangs siren howls and wheels rumbling through the dark city.

Click >here< to see an graphic interpretation of the poem.

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Creative in Residence.

Covent Garden’s Market building turns 180 this weekend and I am its creative in residence, my task it to do what I do; to talk to people, glean sentiments, stories, anecdotes and trap them in drawings, poems or prose. By Christmas, I should have gathered enough content for a book. For twenty dates scattered through the year, I’ll based somewhere in the piazza, in an old Chesterfield-esq chair, (the kind you’d imagine by a fireplace with a bushy eyebrowed man named Arthur), by a small cupboard, lamp and waste paper basket - essentially a portable poet’s corner - from its location I perambulate inviting people to sit and talk with me. I’ve had three days so far and typically, members of  the public are guarded to begin with, my visage isn’t what rises after the word ‘Poet’, but after smiling like a welcome mat and proving neither I or my pen will bite, stories flow out, the idiosyncrasies we all are graced with burns bright as candles and my job is to trap the light. ...And those who work in the piazza are such sources of inspiration themselves. From the street performer who hopes to retire on his son’s football career to another rumoured to have made a million so far, to those who staff the shops: French students studying foreign policy and international development, the Zimbabwean paella seller, the Portuguese-Angolan soap specialist, the Ethiopian coffee stall owner in the food market (where you can literally taste the world) - the piazza shows itself to be microcosmic of what is celebrated of London - it is transient yet historical, distinctly English yet incredibly international, where mud footed farm folk rub toes with the stilettoed.

As mentioned above, this weekend the celebrations really take off, family friendly with an elephant parade, performances at St Paul’s Church, Exhibitions, Food Market, events and workshops (juggling, singing)  for kids, larger scale games for the big kids, jazz musicians, a giant basket race giant Covent Garden anniversary card which I am to sign, all part of the weekend long street party. I’ll be there from 12 - 5pm every day, Friday, Saturday and Sunday, if you are about, come down, it is not worth missing.

For more info, see the official website: www.coventgardenlondonuk.com profile on yours truly: here and full listings on the weekend: here will be great to see you there.

Inua x

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A Plan for the Improvement of English Spelling.

I was clearing out my computer couple hours ago and found this, can just imagine the 19 yr old geeky Inua pouring over this... felt the same way now as I did then. // somethings don't change ey? "A Plan for the Improvement of English Spelling, by Mark Twain".

For example, in Year 1 that useless letter "c" would be dropped to be replased either by "k" or "s", and likewise "x" would no longer be part of the alphabet. The only kase in which "c" would be retained would be the "ch" formation, which will be dealt with later.

Year 2 might reform "w" spelling, so that "which" and "one" would take the same konsonant, wile Year 3 might well abolish "y" replasing it with "i" and Iear 4 might fiks the "g/j" anomali wonse and for all.

Jenerally, then, the improvement would kontinue iear bai iear with Iear 5 doing awai with useless double konsonants, and Iears 6-12 or so modifaiing vowlz and the rimeining voist and unvoist konsonants.

Bai Iear 15 or sou, it wud fainali bi posibl tu meik ius ov thi ridandant letez "c", "y" and "x" ó bai now jast a memori in the maindz ov ould doderez ó tu riplais "ch", "sh", and "th" rispektivli.

Fainali, xen, aafte sam 20 iers ov orxogrefkl riform, wi wud hev a lojikl, kohirnt speling in ius xrewawt xe Ingliy-spiking werld.

Brilliant right?

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Love The Sinner

Love The Sinner. The greatest problem facing Christianity is the question of adaptability. Should it change with the times? should it not? should it compromise? What should be its vices or core values, how might this affect its voice in the changing world. There is nothing black and white about such a decision, or about the process of making such a decision, it is not, cannot and will never be so.

Love the sinner starts with this dialogue where all the factors come in to play. In the opening scene (a conference in an African country) leaders of the faith talk more like politicians, negotiating around the topic. They parry and thrust their points back and forth showing the complexity of the debate. From the African leaders who claim to have a purer hold of Christianity but feel they have to bow to the word from the west, to the bible-belt Americans, to voices that represent a more liberal approach.

Describing this first scene as a cover letter, the play dives into a most visceral case study which centres on ‘Michael’. We first see Michael as the minute-keeper of the above meeting, he sleeps with ‘Joseph’ the African porter working at the hotel where the conference is held. This intermingling of their fates begins what I now call ‘The Wire’ factor. - What I love about the ground breaking t.v. series is it borderlessness: how it takes a simple case of drug dealing and effectively runs the entire spectrum of the subject from the addicts to the smugglers, police officers, crooked politicians, broken families, vigilantes, traitors, reformists, EVERYTHING. Love the sinner leaves the conference and returns to the U.K. with Michael, it shows the repercussions of his actions, and how when Joseph on his doorstep fleeing torture from his homeland, it further brings the issue home. The play touches on international development, colonialism and its legacy, the public image of the church, immigration, torture, human rights, the concept of family within British Society, the concept of love, motherhood, masculinity... the list goes on. And it does all this keeping Michael and Joseph central to the story with such perfect touches of humour, of humanity... it is disgustingly good.

It is directed by Matthew Dunster, written by Drew Pautz and runs at the Cottesloe at the National Theatre until 10th July.

**SPECIAL £20 TICKET OFFER // Get top price tickets for just £20 (save £12) for select evening performances of Love the Sinner on 22 May and 3, 4, 5, 14, 16 June. // To book online enter the Promotion Code 2704 before you select your seats. Or, call Box Office on 020 7452 3000 and quote ‘Special £20 Offer’.

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Fela's Intro

Last night, I introduced 'Music Is The Weapon', a documentary on Fela Kuti at the British Museum, and read a few poems after the film. This was my introduction to the film.

I write poems for a living, I concern myself will the specificity of language, and belief that poets are the midwives of reality; we name things into being. This idea is also held in parts of west Africa, where it is said that children grow to embody their names, a child named freedom is destined to roam the world. In the long poem Said The ShotGun to The Head, the poet Saul Williams says: 'Let your children name themselves', imagining this to be the greatest act of freedom. Subsequently, it begs the question, will we author our own destiny? will the selfnamed ones be free? what  are the consequences to not naming ourselves?

The Soundtrack to My play the 14th Tale was Fela's song 'Upside Down' taken from his album 'Music of Many colours', in this song, he answers the question. The song begins with an observation of western society, he says:

Communication Organize Agriculture Organize Electric Organize Dem system Organize

Englishman get English name American man get American name German man get German name Russian man get Russian name Chinese man get Chinese name

(....) Wheras in Nigeria,

Village boku* road no dey Land boku food no dey Area boku house no dey

People no know their African name People no dey think African style People no know Africa way For Africa man house, I don see

Communication Disorganize Agriculture Disorganize Electric Disorganize Everything is Upside Down

If the language with with we communicate and define ourselves isn't ours, what are we saying when we speak? What are we asking of ourselves? What happens? Fela's believed there is a disconnect, chaos, disorgnization. This now begs the question, who will pick up the pieces, who will fix things. Fela believed the answer to this: we do. We build ourselves back up. Fela was a simple man, most great men are, they ask simple questions, have simple demands - affordable health care - equal civil rights - an end to Aapartheid -  Love your neighbour as yourself.  Fela wanted Africa to be governed by an African. Simple. But an African style, language and attitude to government, entirely without western influence.

And here lies the problem. In an increasingly global world, with different forces at play, powerful multinational companies, famine, greed, religion, incredible riches, vast resources, money... Morals tend to slip, injustice is rife, people die. Take for instance, the complexity here - where Nigeria's Ife heritage is exhibited above, and below we sit in a lecture hall sponsored by an oil company. Between the bright wealth of Nigeria's cultural history and it's dark natural riches, the bridge, the reason we are here, is art, its concern with truth and beauty, the power it wields to satirise and transcend the physical world, to touch us in our darkest, most sacred places and inspire a speck of change, hold up the clearest of mirrors and say - this is who you are, what you have done.

Fela's art was music, and wield this well he did. As Nigeria turns 50 this year and the play about Fela's life hits the National Theatre this autumn, his politics, his legacy speaks to us even louder. We have reinvented his message to contemporary ones: ‘Rock Around the Blockade’, ‘Fight With Mic’, ‘High Life not Die Life’, ‘Rock the Vote’, ‘Drop Beats Not Bombs’, ‘Love Music Hate Racism’, Fela had the umbrella term; that to start social, political, moral and economic change in the world, above all things; Music Is The Weapon.

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The Scapegallow

Commissioned to write this, deadline Saturday, I was just give the title, 'The Scapegallow' // A Scapegallow is 'one who deserves and has narrowly escaped the gallows, a slip-gibbet, one for whom the gallows is said to groan'. I also had to work on a poem for the Tate Modern: Maurizio Cattelan see pic:

"Ave Maria" 2007 Polyurethan, steel, clothes, paint / Polyuréthane, acier, vêtements, peinture 27 1/2 x 4 3/4 inches / 70 x ø 12 cm (x 3) 3/3+2AP

Translated as ‘Hail Mary’, the title seems to contradict the macho power of the salutes, referring instead to the catholic tradition of revering Mary the mother of Christ, who is saluted by the angel in the annunciation. Although this right-armed salute is believed to have originated as a form of military courtesy for the Romans, it became synonymous with right-wing or extremist political movements in the twentieth century. One of the hand is lightly concave, as to gently stroke the head of the visitor. Maurizio wishes in this way to denounce the correspondence between two such contrasting greetings.

And this is what I created: The Scapegallow

There’s a certain breed of Monday where morning comes with fangs, ones so straightouttahell, I imagine the horned one himself, hunched over workbench sanding down the best till its grain reads your name, each a dark dove, Dickensian in devilry; A certain type of 9 a.m. where coffee tars the tongue, high fives hail Hitler and the postman’s whistlesong will strangle you from inside. The Welcome mat will cuff you, the door resist your shoulder, outside the easy limp of wind will whip you like a bitch. If blades of grass that break concrete, their tips stiff as fists, lend none of their rebel strength, drive or sapling hymns and journeying pollen pause just to poison, all this and the front gate is grating at your gait, do as I do: crawl for your sofa, flick for a channel find a thick book, paint, do nothing till Tuesday. Just wait.

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News from Inua Ellams.

Happy Nu Year! Ah sincerely hapologize, ’tis been four hectic months since I sent my last mail. I have news, oh! such news. But before I drop it, a moment if you please for Virginia who couldn’t keep with the demands and duels of daily life and in October, passed away; she will ever hold my heart. But my new laptop, Meredith, is beautiful! I’d also like to say a hearty ‘Hey’ to my new subscribers... Welcome to my Mailout! The Formula is as follows 4 News Items / Smthn frm YouTube: 14TH TALE at The NATIONAL THEATRE // POEJAZZI - YEAR OF THE POET // UNTITLED // LUKE WRIGHT & ROSS SUTHERLAND // Utube: Ctrl.Alt.Shift //

THE 14th TALE // COTTESLOE THEATRE // A thousand thanks to all who saw the play last autumn. If you didn’t, there’s yet another opportunity to: The 14th Tale experience has been a bit crazy. From debuting the show in March, to winning a Fringe First in Edinburgh, to the national tour - traveling, meeting incredible folks... to think a story of my life could do this is absolutely, completely, unreservedly ridiculous, for many personal reasons too. I’m lucky. But it’s just gotten more ridiculous - The play will run for Ten performances at The National Theatre. I mean, THE NATIONAL THEATRE, the heart of the establishment, - At London’s Southbank. If you’ve ever spent a Midnight Run, or talked about London with me, you’ll know how highly I regard the place. It isn't even a dream come true, I didn’t dare dream this... it is just... wow... anyway, I’m weighted with humility. Ten shows at the Cottesloe. (Between the dates, I’ll be hitting Dartington, Bedfordshire and Kent) Dates and all info below. Hope you can make it, please bring a friend.

National Theatre Web: http://bit.ly/4TIHtS Facebook: http://bit.ly/3Sjour

POEJAZZI // BANG! - That is how we started this year! We at Poejazzi, continuing with our promise to provide great poetry shows, have claimed 2010 as our own and have labelled it ’The Year of The Poet’ We have dazzling wonders planned for the year - events at the Roundhouse, Camden Crawl, The Ministry of Sounds, The exclusive Hospital Club and at E4’s Udderbelly to name just tips of our icebergs... And we begin the year long series in pirouetteish style with a show at the Royal Festival Hall this Friday. Entry is completely free - because we’re nice like that - featuring Alex Gwynther, Ed Sheeran, Heidi Vogel and Ventriloquist - one solid hour of back to back brilliance.

The Poejazzi Tonic Fri 15 Jan ’10 // 6- 7 pm: Free Entry Royal Fest Hall, Foyer Bar, Level 2 Southbank Center, London: http://bit.ly/4xz2SF

UNTITLED // Last Year between touring the tale, I had to write, set and show the first half of my next play - ‘Untitled’ - at the round house in London. It was crazy to do this mid tour and after the severe food poisoning I suffered weeks before. My brain was mush and the story of the play is quite simply, the most ambitious thing I have ever tried to write. But we created something magical and the photos in this mail are shots from the play. I won’t speak too much about it now, but wondered if you’d help me write the 2nd half by answering a question - What do you think would happen, would be the consequences of growing up without a name? Hit reply... Looking forward to your answers. Thanx.

LUKE WRIGHT & ROSS SUTHERLAND // So, if in this game of live literature, you haven’t heard of these guys then I’d like to know the exact location of the rock you’ve been living under, and wonder if you’d be so kind as to lend me the keys once in a while. Luke and Ross are members of the award winning troupe, the first ever poetry boy band Aisle 16, and between them, have stacked up more awards, column inches, hate mail and experience than any I know. They are stunning writers, witty, visceral, entertaining. They both have poetry shows running this month and I highly recommended them.

THE PETTY CONCERNS OF LUKE WRIGHT and THE THREE STIGMATA OF PACMAN run from 12 - 30 Jan 2010 (except Sundays and Mondays) at - The Old Red Lion, 418 St John Street, London Tickets £10 for all performances - from Ticketweb: http://bit.ly/oldredlion or BoxOffice 02078377816

SOMETHING FROM YOUTUBE: Ctrl.Alt.Shift was formed to work against social and global injustice - Sentences like that I usually take with a pinch of salt, but they mean it and are ON IT. Born in June 08, they’ve already stormed embassies of countries who've imposed travel restrictions on people living with HIV, highlighted the plight of the 50 million women missing in India and created awareness around countless development issues. Breaking with convention to bring about change, they work with everyone from Plane Stupid and VICE to Sadler's Wells, Tinchy Stryder, Metronomy, Shynola, Alexa Chung and David Shrigley. Last year they held a live graffiti battle themed ‘corruption’. Your’s truly hosted the event and to get a flavour of he great work they do, sit back and watch:

uTube: http://bit.ly/806MOi Their Website: http://www.ctrlaltshift.co.uk/

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